There is nothing quite so informative and entertaining, albeit in a somewhat masochistic way, as reading your old journals. This was written on the 16th of November, 2006, an unassuming Thursday, sometime before dawn (I was an insomniac then):
There is no sound as calming to the spirit as rain. Water streaks the windows, and the soft rhythm of the sky envelops the house. Street-lights and porch-lights and bright halogens strung across walls seep into the enclosure, their intensity dimmed by the translucent worms slithering down the glass. The lull of water in motion, each falling drop carrying with it a memory of clouds, to be extinguished against its elemental antagonist. The world seems less important by this tiny, expected miracle.
I am sinking into myself, and I welcome the reprieve. My arms are outstretched, my eyes blindfolded, and I am gently leaning back on the balls of my feet. I have no doubts as to the nature of the ground that will break my fall.
Why did the voices of people mean so much to drown out the quiet, steady voice of the self? I have certainly entertained less sane company.
Did I seek sanction of some sort? – an absolvement of the sum that is me? I am not a fixed point but the shaky line of a balding cartographer, his fingers enraptured in their tracings of continents. I can feel my borders being drawn, my states divided and fenced. I can see my veiny roads plough through rock and shale and limestone, filigree paths dotted and dashed to and from the capitals of my being.
Time. This balding map-maker needs time. And for once, I have the power to give it to him.
All this would later be distilled into a poem, How to Survive a Vacation, which I consider to be the first piece of writing that initiated me into the phase I am still in now. Much of the rhetoric that occupied my journal entries at that time were directly influence from Walden, a book that was quietly sinking its tendrils into my addled calculator. Solitude, Hermit, Individuation, Lone; words that had gained new meaning and shone that light into all my actions.
That was then. 2006 was for me a process of waking. 2007 was learning how to deal with that wakefulness, something that I am still going through today. After all those years of constructing myself so elaborately and with so much panache, I found myself with no masks to wear, naked and hog-tied to the real. Inauthenticity in all its forms is also self-denial; it is a willed ignorance of the drives that propel life, of desire, of want, of need. I became acutely aware of the separation between the external and internal, the seam I wore as my skin. I now consider it an education I was lucky to have braved. After the destruction of that false veil (a painful, torturous process that I laugh at now) I felt as if a great exhaustion was lifted from me. The greatest of all efforts is the effort to conceal.
I do not regret a single moment of my life. I am grateful to have gone through all those convoluted processes to get to where I speak from now. It is no doubt that I would have reached this place had I the forethought not to have begun that concealment of self at all, but it would have not been the eyes I view it through now. As that American savant Timothy Levitch says, “To truly travel is to stand in fields of yourself you have never stood in before.”
Self-knowledge. This is the drive that propels me. I want to plumb the depths of my desires and actions, beyond the misleading dialectics of cause and effect, beyond false effronteries of psychology or dissection. To know yourself you must also know the world that the self inhabits, for it is as much yourself as you are it. To undertake such an enterprise in a cultural and social vacuum will yield results both misleading and dangerous. And by danger I do not mean the ambiguous protoplasma of death, but the danger of sleep.
The dreamer is awake.

This is from the art of Emma Kunz, born in 1892 to a family of Swiss weavers. Quite an interesting visionary. Check her out:
http://www.emma-kunz-zentrum.ch/
Note: I will try my best to limit these self-analyses as I go on. I simply find that committing the mind to paper (or webspace) is somewhat like an orgasm: that pleasurable release of a coiled spring. Forgive my small indulgences.
